Category Archives: knowledge

The truth and publishing: Beyond the Writing

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Brooklyn Reading Works at The Old Stone House presents The Truth and Publishing, a panel discussion about the future of books, publishers, authors, agents and readers, curated by John Guidry.

Thursday, January 17, 2012
8:00 pm – 10:00 pm
Refreshments provided
$5 suggested donation

OLD STONE HOUSE
5th Avenue in Brooklyn
b/t 3rd and 4th Streets at JJ Byrne Park
718.768.3195
info@theoldstonehouse.org

We often think of writing as a lone pursuit, a lone artist or dedicated journalist pursuing the craft with every ounce of dedication they can muster. If we think in the plural, it’s usually in pairs. Yet behind the work of writers is a larger cast of professionals every bit as dedicated to the written word and concerned about its future. They include editors, agents, publishers, critics, and others whose work helps make the printed word possible. On this panel, we will meet editors, publishers and agents who will share their perspective on the process behind the written word and what lies in store for those in the publishing industry during these changing times.

Panelists include Amy Hundley, Tamson Weston, Josh Rolnick, Rob Spillman, Jonathan Lyons, and Renee Zuckerbrot.

AMY HUNDLEY is subsidiary rights director and editor at Grove/Atlantic, where she has worked in various editorial capacities for fifteen years. As a fiction editor, she has worked with authors such as Jim Harrison, Anne Enright (Winner of the Man Booker Prize), Barry Hannah, Porochista Khakpour, Ryan Boudinot, G. Willow Wilson, Mo Hayder, and Aminatta Forna. She also works with many of Grove’s authors in translation, including Pascal Mercier, Catherine Millet, Nedjma, Kenzaburo Oe, and Jose Manuel Prieto. Her nonfiction list includes Last Night a DJ Saved My Life and How to DJ Right by Bill Brewster and Frank Broughton and The Deserter’s Tale, a memoir by an American deserter from Iraq. As director of subsidiary rights, she is responsible for selling foreign and domestic rights in Grove/Atlantic titles. She has attended international publishing fellowships sponsored by the French Ministry of Culture and French-American Foundation; the Frankfurt Book Fair; the Polish Book Institute; the Jerusalem Book Fair; and the Turin International Book Fair. Born and raised in Chicago, Amy Hundley attended Wesleyan University in Middletown, Connecticut.

TAMSON WESTON is a published children’s book author, founder of Tamson Weston Books, and an editor with over 15 years experience. She has worked on many acclaimed and award-winning books for children of all ages at several prestigious publishing houses including HarperCollins, Houghton Miffling Harcourt and Disney Hyperion. When she doesn’t have her nose in a book, Tamson likes to run, bike, swim, lift heavy things and, most of all, hang out with my family in Brooklyn, NY.  Visit her online at www.tamsonweston.com.

JOSH ROLNICK’S debut collection, “Pulp and Paper,” won the 2011 John Simmons Short Fiction Award, selected by Yiyun Li. His short stories have also won the Arts & Letters Fiction Prize and the Florida Review Editor’s Choice Prize. They have been published in Harvard Review, Western Humanities Review, Bellingham Review, and Gulf Coast, and have been nominated for the Pushcart Prize and Best New American Voices. Josh holds an MFA from the Iowa Writers’ Workshop, and an MA in Writing from The Johns Hopkins University. He is working on a novel.

In a journalism and writing career spanning two decades, he served as a fiction editor at the Iowa Review, creative writing teacher at the University of Iowa, an editor at Stanford Social Innovation Review and Moment magazine, a newsman for the Associated Press, and a reporter for Congressional Quarterly and the News Tribune of Woodbridge, N.J. He currently serves as fiction editor of the literary journal Unstuck, and publisher of Sh’ma, a journal of Jewish ideas.

Josh grew up in Highland Park, N.J. He spent summers fishing for fluke and riding the giant slide at Hartman’s Amusement Park in Long Beach Island, N.J., and camping in a Jayco pop-up trailer across the Adirondacks, returning again and again to Buck Pond, where he caught his first bullhead. He holds a BA from Rutgers University, an MA in International History from London School of Economics and a visiting graduate certificate from the Hebrew University of Jerusalem. He has lived in Jerusalem, London, Philadelphia, Iowa City, Washington, D.C., and Menlo Park, California. He lives with his wife and three sons, dividing his time between Akron, Ohio, and Brooklyn, New York.

ROB SPILLMAN is Editor and co-founder of Tin House, a fourteen-year-old bi-coastal (Brooklyn, New York and Portland, Oregon) literary magazine. Tin House has been honored in Best American Stories, Best American Essays, Best American Poetry, O’Henry Prize Stories, the Pushcart Prize Anthology and numerous other anthologies, and was nominated for the 2010 Utne Magazine Independent Press Award for Best Writing. He is also the Executive Editor of Tin House Books and co-founder of the Tin House Literary Festival, now in its tenth year. His writing has appeared in BookForum, the Boston Review, Connoisseur, Details, GQ, Nerve, the New York Times Book Review, Real Simple, Rolling Stone, Salon, Spin, Sports Illustrated, Vanity Fair, Vogue, Worth, among other magazines, newspapers, and essay collections. He is also the editor of Gods and Soldiers: the Penguin Anthology of Contemporary African Writing, which was published in 2009.

JONATHAN LYONS is a literary agent and Director of Translation Rights for Curtis Brown, LTD. Founded in 1914, Curtis Brown’s client list includes numerous bestselling and award-winners, such as Karen Armstrong, Po Bronson, Betty Friedan, Jane Dyer, Diana Gabaldon, Gail Carson Levine, Harold Kushner, Frances Mayes, Diana Palmer, Linda Sue Park, S.E. Hinton, A.A. Milne, Ogden Nash, Ayn Rand, W.H. Auden, Tony Hillerman, John Cheever, Lucille Clifton, and more. Previously Jonathan ran his own agency, Lyons Literary LLC, and has also overseen the subsidiary rights departments at both McIntosh & Otis and Folio Literary Management. His own client list is varied, including authors of mysteries and thrillers, science fiction and fantasy, literary fiction, young adult and middle grade fiction, and nonfiction of all types. Jonathan is a member of the Authors Guild and is on the Contracts Committee of the Association of Author Representatives.

Jonathan is also an attorney with the boutique intellectual property law firm of Savur & Pellecchia. He has over ten years experience handling a variety of publishing and copyright related transactions on behalf of individuals and corporations, with an emphasis on print and digital publishing. His legal clients include authors, publishers, magazines, literary agents, distributors, and artists, among other publishing industry businesses and professionals. Jonathan regularly gives lectures and participates in panels regarding publishing law, including most recently at the Copyright Clearance Center’s On Copyright 2012 Conference, the NYSBA Entertainment and Sports Law 2012 panel “New Models of Publishing”, and the 2012 Self-Publishing Expo. Jonathan earned his law degree from Benjamin N. Cardozo School of Law in 2001, and his undergraduate degree from Washington University in St. Louis. He is admitted to the bar of New York.

RENEE ZUCKERBROT founded Renée Zuckerbrot Literary Agency after working as an editor at Doubleday and Franklin Square Press/Harper’s Magazine, following a short stint at Marly Rusoff & Associates. She is a member of the AAR and Authors Guild, and in 2008, Poets & Writers included her on their list of “Twenty-One Agents You Should Know.” represents a wide-ranging list that includes literary and commercial adult fiction, narrative non-fiction, and cookbooks. The agency represents writers at all stages of their careers, first-time and well-established authors alike, and the agency’s small, intimate scale fosters warm and long-lasting relationships with our clients. We believe that an agent should be the author’s greatest advocate and fan, and to that end we take a proactive role throughout the publishing process, offering crucial support in project development, editing, contracts, marketing, rights management, and career-planning over the short and long term.

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The truth and oral history: The Double Life of the Interview

BROOKLYN READING WORKS

org. Louise Crawford
guest curator John A. Guidry

THURSDAY, JANUARY 20, 2011
8:00 – 10:00 PM
Where: OLD STONE HOUSE at J. J. BYRNE PLAYGROUND
5th Avenue in Park Slope between 3rd and 4th Streets
(718) 768-3195

The idea

Stories do not tell themselves. Even once they are told and recorded, stories need some help to be heard and to live in the world. This month’s Brooklyn Reading Works will look at the processes by which people collect stories and use them to tell stories. We will have panelists who use oral history practices to document our world and the lives we lead, and the conversation will explore the work it takes to make stories interesting and give them legs to stand on, as it were. Panelists will represent and explore several different genres and styles of the oral historian’s craft, from traditional first-person historical storytelling to the mediations of photography, academic writing, marketing, multimedia, and social advocacy—as well as stories of how collecting stories ultimately affects oral historians as authors and curators of the human experience.

The panel

Brian Toynes and Luna Ortiz, with Gay Men’s Health Crisis, who have developed innovative community-level interventions that use personal stories about change and resiliency. Luna is one of the few people documenting the “House and Ball” scene that came to general public prominence in the film, Paris is Burning, and in Madonna’s “Vogue – but which has also had a much more complex and international history over the last 100 years.

Michael Garofalo, a producer with StoryCorps, who will talk about the work of StoryCorps and the importance of collecting and listening to the stories we can tell each other about our lives.

Mary Marshall Clark, Director of the Columbia Oral History Office. Mary Marshall will concentrate on the stories of 9-11 that her team collected here in New York and the process of working with these kinds of interviews in order to create a tangible and personal history of these events.

Jason Kerstenauthor of “The Art of Making Money,” a true-crime story of a young counterfeiter and his life. Jason’s interviews with Art and his family reveal a host of issues that a writer must confront when getting so close to the subject while trying to tell a true story that is compelling, informative, honest, and in the end protective of the subject’s own history and privacy.

John A. Guidry, who has used oral history and long-interviewing techniques in academic writing (community organizing and children’s rights in Brazil), community development research (all over the US), and public health promotion (HIV health and social marketing).

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E/F – the glass of knowledge

halfglass-apple-1

E.  “. . . the eyes of both of them were opened, and they realized that they were naked . . .”   Genesis 3:6

F.  “A little learning is a dang’rous thing;
Drink deep, or taste not the Pierian spring:
There shallow draughts intoxicate the brain,
And drinking largely sobers us again.”

Alexander Pope, “Essay on Criticism,” ll. 215-18

For some, knowledge leads down the path to hubris, a “revenge of the intellect” as Susan Sontag warned (ironically, some might say) in “Against Interpretation” (1966).  For others, knowledge is the source of enlightenment.  Know thyself:  as inscribed on the Temple of Apollo at Delphi and lived by Socrates, for whom the knowledge of anything was only as good as its limits.

However we look upon knowledge or follow where it leads, it’s almost certain we’ll wind up somewhere never intended, with consequences for good or ill that we may barely understand.  Such is the way of truth.

The glass and St. Rita’s Church

The tumbler is half-filled with Apple and Eve apple juice, all natural, no added sugar, of unknown yet possible relation to the juice of the apples of the tree of the knowledge of good and evil.  At least that’s what I take away from the company’s name.

The etching on the glass is of St. Rita’s Church, Harahan, which was founded in 1950 by Monsignor Roy Champagne, who was a young priest at the time.  The tumbler was part of a larger set created in 2000 for the parish’s 50th anniversary.

I went to St. Rita’s school from the fourth through seventh grades, and Fr. Champagne (he wasn’t a Monsignor yet) was still walking the grounds with the children and saying mass on Sundays.  I attended church there until I left my parents’ home in 1986.  For many years, I performed with, and then led, the youth choir.  My son was baptized at St. Rita’s.  I now attend St. John’s Episcopal Church in Park Slope, Brooklyn, but St. Rita’s is a cherished part of my life.  It is a place I return to from time to time, to walk in the past and present, and to reflect on the lessons of knowledge and ignorance in my own life.

The desk and a dual journey from Michigan to Illinois

The tumbler was photographed on my desk, a sturdy workshop piece in the Mission Style, dating from the 1920s or 1930s (I am guessing here).  I bought it in Rock Island, Illinois, in 1997 for $100.00 in rough but usable shape.

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a sturdy writing companion

The desk was made in Michigan, by the Wolverine Manufacturing Company of Detroit.  The company was organized in 1887, according to the tag, and at least this one desk is still going strong.  Wolverine Manufacturing was one of the historical suppliers of parlor and other furniture in the Arts and Crafts style.  I wonder sometimes at the happenstance (some might say magic) by which I took a similar route from Michigan, where I obtained my doctorate in 1996 from the university in Ann Arbor, to Rock Island, where I began my first teaching appointment the same year.

Almost everything that has been posted in truth and rocket science was written at this desk.

Notes and credits

The photos of the tumbler and the desk were taken by the author.

This image of the Wolverine Manufacturing Plant was taken from the State of Michigan’s Twentieth Annual Report of the Bureau of Labor and Industrial Statistics (Lansing, 1903), as found on Google Books.

Geotag: St. Rita’s is at 7100 Jefferson Highway, Harahan, Louisiana, 70123.  St. John’s Episcopal is at 139 St. John’s Place, Brooklyn, New York, 11217.

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